Taking Back Sunday is terrible but there are a few of their peer bands that are pretty decent (Say Anything, Brand New and Thursday). I'm surprised that Pitchfork hasn't revisited them in a favorable light considering that emo has had a massive comeback over the past few years and has been well received by a generation that hates the twee indie of Zoey Deschanel and Apple commercials.
It's contained amongst so-called hipsters. Obviously, the hipster subculture is dead but its permutations live on and one of those permutations has a reverence for emo-influenced music or emo, whether it is new or old. (this might just be amongst my weird bubble within a bubble within a bubble circle of friends tho)
Here is an example:
https://www.youtube.com/watch?v=1HuwcOZfNLYI used to love this style of music so its rebirth perplexes me.
